Queer.Art.Matters: A Virtual Symposium on Resistance, Embodiment and Power
The Category Is: A Panel on Ballroom
The cultural contributions of the ballroom scene cannot possibly be overstated. From music to fashion, the scene’s influence on global trends is undeniable. Moreover, the ballroom scene’s emphasis on kinship, space as ritual performance and its gender system comprise some of its most transformative and life affirming contributions within a white western society that constantly tells the scene’s Black, Latinx and Asian gay, lesbian, transgender, queer and nonbinary members that their lives have no value. However, the scene is not without its issues. This panel addresses various controversies within the ballroom scene and is organized around a keyword/concept about which each panelist will provide commentary.
T.G.I.F. (Thank Goddexx I’m Fabulous): Embodied Queer of Color Critique through Aesthetics
This panel considers how multiply marginalized people harness aesthetics as an embodied form of critique that enables members of said communities—specifically Black and Brown queer, transgender and nonbinary people—to combat the myriad cultural messages, both direct and implied, which suggest that these lives are devoid of meaning or purpose. Panelists will ruminate on how they think about and utilize the power of aesthetics to cultivate meaningful lives in the midst of neverending slights, attacks and devaluation.
Beyond Representation: Black Queer Disruptions in Fine Art
In Becoming Human: Matter and Meaning In an AntiBlack World, theorist Zakiyyah Iman Jackson asserts that Black artists play a crucial visionary role in imagining Black futures in the present that undoubtedly exposes what she called “the limits of recognition”. This panel acknowledges that complex artistic expressions of Black life cannot be reduced nor satisfied by mere representation alone.Thus, this panel explores how Black queer, trans and nonbinary artists approach and engage fine art in unruly and disruptive ways that expose the limits of recognition while conjuring visions of boundless Black futures.
This symposium will take place on Friday, April 16 and Saturday, April 17.